gordon bennett notes to basquiat

120 x 80cm Gordon Bennett (19552014) worked for Telecom Australia before quitting his job at the age of thirty and enrolling in a fine arts degree at Queensland College of Art. Artlines | 1-2013 | Publisher: QAGOMA | Editor: Stephanie Kennard. Of the latter four, Bennett is most easily understood as a critical postmodernist. To learn more about how to request items watch this short online video . The diversity of Bennetts work is another striking feature. Copyright or permission restrictions may apply. Gordon Bennett was one of the leading artists of his generation and received widespread recognition internationally for his striking . The ideals of pure colour and form of early 20th century De Stjil abstraction appeared to Bennett as another form of exclusion. Gordon Bennett. Works | NGV | View Work Inscription. In the late 1990s, he embarked on two consecutive series of paintings, the Home Dcor series, and Notes to Basquiat. . "Notes to Basquiat: Untitled, 1999 appears to be referencing Basquiat's 'Samo', with the simple and strong text 'Sorry' recreated in a similar style with the familiar ironic copyright symbol. Underlying this dialogue with Basquiat Bennett's need to re-contextualise the issues that he has explored throughout his artistic career, confronting them within a global context. Unfinished Business: The Art of Gordon Bennett signed and dated verso: G. Bennett 8 -03-2001. title, medium and dimensions inscribed verso: NOTES TO BASQUIAT: CUT THE CIRCLE II / Acrylic on linen / 5 x 6, 152 x 182.5 cm. I guess it spoke to me of the traces they undergo constant transformation. View Scale Rotate. You need Flash player 8+ and JavaScript enabled to view this video embedded. synthetic polymer paint on linen. By Julie Ewington Moreover, Bennetts work is aesthetically similar to American artist Jean-Michel Basquiat. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Its Estimate: $35,000 - $45,000. Gordon Bennett | Notes to Basquiat (1999) | MutualArt View sold prices. tap-dance on a tightrope". He also wrote an open letter to the dead artist celebrating their cultural and artistic similarities, as well as their shared love of jazz, rap and hip-hop. Change). GORDON BENNETT (b. Notes to Basquiat: Famous boomerang 1998 synthetic polymer paint on canvas. APT3 - Artist's Work - Gallery of Modern Art, Brisbane Bennett claims his identity was, shaped by the historical narratives of colonialism with all its romantic illusions and factual deletions (SMH 2014). View NOTES TO BASQUIAT (2001) By Bennett Gordon; synthetic polymer paint on linen; 152.0 x 182.5 cm ; Signed; . NOTES TO BASQUIAT: (AB) ORIGINAL, 1999 | Deutscher and Hackett verso on canvas, pencil "G Bennett 31-8-1999/ ". Another quote in the Dick Hebdige essay I found I connected with was By peeling Of course, this price has nothing to do with the top prices that other . It is anything but. Bennett's painting Notes to Basquiat (2001) presents . Gordon Bennett 'Notes to Basquiat' (911) 2001 synthetic polymer paint on linen 182.5 x 304.0 cm. The main reference for Notes to Basquiat (The Coming of the Light) is not Basquiat's imagery, but one of Bennett's early paintings, The Coming of the Light (1987). This included abstract expressionism and a dot aesthetic inspired by the Papunya Tula art movement of the Australian Western Desert. Collection: Bendigo Art Gallery, Gordon Bennett Australia 1955-2014. Gordon Bennett Possession Island (Abstraction) 1991 was purchased jointly by Tate and the Museum of Contemporary Art Australia with fund provided by the Qantas Foundation, 2016. Bennett, Gordon. Tate, The Museum of Contemporary Art Australia (MCA) and Qantas are partners in an International Joint Acquisition Programme for contemporary Australian art. cultures, with wider historic references to the radical and the marginalised. 'Nothing quite prepares you for the impact of this exhibition': Haring Basquiat at the NGV. . John Saxby (Editor), Look, 'The art that made me: Reg Mombassa', Sydney, Nov 2015, 13. )Man + Space: Kwangju Biennale 2000, exhibition catalogue, Kwangju Biennale Foundation, South Korea, 2000, p. 273 (illus. ^ Terry Smith, "Australia's Anxiety," History and Memory in the Art of Gordon Bennett, Birmingham: Ikon Gallery, 1999, p. 17. View upcoming auction estimates and receive personalized email alerts for the artists you follow. View Notes to Basquiat (1999) By Bennett Gordon; Synthetic polymer paint on linen; 182.5 x 182.5 cm. Outsider 1988 In Notes to Basquiat (Death of irony) 2002, Bennett astonishingly knits a homage to Basquiat with Islamic patterns and calligraphy into a coherent composition . Notes to Basquiat - Big Shoes - Cooee Art The pop art inspired paintings of the Coloured People and Interiors series seem glossier and less political than Bennetts other work, but this is not the case. I feel I can understand For example, the small painting of a black angel in the installation in the first room of the exhibition titled Psycho(d)rama (1990) recurs in Notes to Basquiat (Jackson Pollock and his Other) (2001). Australian art: Storylines - National Gallery of Australia His three paintings titled. ibid., p. 22, Important Australian + International Fine Art. This citation of Basquiat's work acts for Bennett as a mode of communication with the American artist who died in 1988. Mclean, I. born 1955. In the late 1990s, he embarked on two consecutive series of paintings, the Home Dcor series, and Notes to Basquiat. Artists suggestions based on your preferences, Filter by media, style, movement, nationality and activity period, Overall performance of recent notable sales, Upcoming exhibitions at your preferred locations, Global snapshot, top performers and top lots, Charts on artist trends and performance over time, ready to export, Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. Susan Best receives funding from the Australia Council for the Arts and the Australian Research Council . past efforts to "explain" myself - it reads: "Cultural identities are Basquiat, New York: Merrell Publishers. In 1995 Bennett began making work under the name 'John Citizen'. Estimate: $80,000 - $100,000. Provenance. revealed. The original image shows explorer Captain James Cook raising the Union Jack flag in 1770, claiming ownership of the entire eastern coast of Australia in the name of the British Crown. Bennett is not claiming a genealogy Gordon Bennett - Notes to Basquiat: 911 - Search the Collection 152.0 x 182.5 cm. Again echoing Benjamin, Bennett draws a direct link between civilisation and barbarism, or here Enlightenment and suicide. Bennett emerges as one of the most important Australian artists of the latter part of the 20th century and one we have certainly not finished interpreting. These large scale history paintings of the 1990s are perhaps his best known works. Notes to Basquiat: Female Pelvis by Gordon Bennett | Art.Salon Gordon Bennett | NGV This painting emanates from the 'Notes to Basquiat' series of paintings, where the artist takes appropriation to . Bennett's art practice is interdisciplinary and encompasses painting, photography, printmaking, video, performance and installation. In his Welt series of paintings of the early 1990s, he painted over the created scarified surface of Jackson Pollock inspired drip paintings in matt black. In, In 1995 Bennett began making work under the name 'John Citizen'. Due to major building activity, some collections are unavailable. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia NOTES TO BASQUIAT: LIBERTY, 2000 | Deutscher and Hackett Read more: Limited Edition Digital Works on Paper . Synthetic polymer paint on canvas and rope on wood Arguing that the codes of Western art, literature, law and science introduced with European settlement have become a prison from which indigenous people cannot escape but rather, only appropriate Bennett sought to picture such manifold conspiracies, employing the deconstructivist aesthetic of postmodernism to re-present the histories and politics underlying the Australian social landscape. In Bennetts painting, the imagery of 9/11, for instance, illustrates metaphorically the ongoing religious/cultural conflict deeply embedded within Australian society that is comparable to an event like 9/11 where cultural/religious difference is perceived to instigate violence. Gordon Bennett - Notes to Basquiat: 911 - Search the Collection, National Gallery of Australia Notes to Basquiat: Modernity, 1999 is a bridge between these two series, synthesising the main motifs of each into a tightly articulated composition exposing how words and images shape our cultural identity.The array of appropriated motifs within Notes to Basquiat: Modernity tesselate to create a dynamic composition, their collaged intuitive arrangement providing a decidedly contemporary aesthetic. Gordon Bennett: Be Polite - Galleries West They often use the dots associated with Aboriginal Western Desert painting intertwined with western systems of realist depiction. signed and dated twice, and inscribed with title verso: 16-10-1999 / G Bennett / G Bennett 1610-1999 / NOTES TO BASQUIAT: MODERNITY / , Sutton Gallery, Melbourne (stamped on stretcher bar verso)pARTners Art Collective, Melbourne, acquired from the above in July 2007, Gordon Bennett Notes to Basquiat: One Tense Moment (episode two), Sherman Galleries, Sydney, 5 November 4 December 1999, cat. Gordon Bennett's artwork is on display at Tate Modern in Artist and Society: Citizens. See opening hours 120 x 80cm Notes to Basquiat: Perfect Teeth comes from the important extended series, Notes to Basquiat, which was a major theme in Bennetts work throughout the 1990sa selection of works on paper from this series was included in The Third Asia Pacific Triennial of Contemporary Art (APT3) in 1999. In Bennetts most anthologised article, acerbically titled The Manifest Toe, he describes his approach to art using an expression that is often used in critical rather than art theory: the politics of representation. Here we get to the crux of Bennetts contribution. Bennetts Notes to Basquiat collectively have had an extensive exhibition history, with a selection exhibited in the Kwangju Biennale 2000: Man + Space, Korea and the 9th Asia Pacific Triennial in 2001. Ultimately betraying Bennetts highly idiosyncratic vision however, is his characteristic engagement of the viewer here through his thesaurus inspired word-play designed to activate the complex web connecting sight, speech and thought, and thus highlights the links between history and meaning established in his oeuvre. The Notes to Basquiat: 911 series and the Camouflage series, which reflect on the terrorist attacks of September 11, 2001 and the war in Iraq respectively, highlight Bennett's global perspective. The work also relates to Basquiat's paintings, following the same principles as his graffiti, signifying the existence of a more basic truth hidden within a given event or thought"--Information from acquisitions documentation. The work Notes to Basquiat: Female Pelvis by Gordon Bennett was auctioned at Christies in Melbourne in November 2003. His paintings are not expressionist. Lot 5: GORDON BENNETT, (1955 - 2014) - NOTES TO BASQUIAT - Invaluable This education resource accompanies the retrospective exhibition Gordon Bennett (2008) which showcased 85 works by this internationally acclaimed Australian artist.Bennett's art engages with historical and contemporary questions of cultural and personal identity, with a specific focus on Australia's colonial past and its postcolonial present.

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gordon bennett notes to basquiat

gordon bennett notes to basquiat